Four British Mysteries Read online

  FOUR BRITISH MYSTERIES

  All rights reserved

  Lynnwood © Sparkling Books Ltd 2013

  A Taste for Blood © Sparkling Books Ltd 2013

  Ellipsis © Sparkling Books Ltd 2010

  Cold Remains © Sparkling Books Ltd 2011

  Each author has asserted their right to be identified as the author of their respective work in accordance with the Copyright, Designs and Patents Act 1988.

  These books are works of fiction. Names, characters, businesses, organisations, places, events and incidents are either the products of the authors’ imaginations or are used fictitiously. Any resemblance to actual persons, living or dead, events or places is entirely coincidental.

  Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system or transmitted by any form or by any means without the prior written permission of the publisher.

  1.0

  ISBN of this bundle: 978-1-907230-59-2.

  Individual titles available separately:

  Lynnwood, Thomas Brown, ebook 978-1-907230-42-4

  print 978-1-907230-38-7

  A Taste for Blood, David Stuart Davies, ebook 978-1-907230-48-6

  print 978-1-907230-48-6

  Ellipsis, Nikki Dudley, ebook 978-1-907230-21-9

  print 978-1-907230-18-9

  Cold Remains, Sally Spedding, ebook 978-1-907230-39-4

  print 978-1-907230-28-8

  Lynnwood

  Thomas Brown

  Praise for Lynnwood

  'I would recommend this to fans of classic English horror as well as fans of Stephen King.'

  Lucy O’Connor, Waterstones bookseller

  “A quintessentially British folk horror chiller, with an escalating power of dread that is rendered deftly. A new voice in British horror, that you'll want to read, has entered the field.”

  Adam Nevill, Author of Apartment 16 and The Ritual

  'The plot line is new and exciting, I won't say anymore about that because I don't want to give it away! But I know I was surprised more than once at what was happening. If you are looking for a good book, definitely pick up this one.'

  Alison Mudge, Librarian, USA

  'An exciting, on the edge of your seat gothic that will have readers begging for more.'

  Rosemary Smith, Librarian and Cayocosta Book Reviews

  ‘An exciting début from a new young writer with a dark imagination. Thomas Brown’s beautifully written novel proposes a modern gothic forest far from the tourist trail, a place filled with strange events and eerie consequences.’

  Philip Hoare ‘one of the world’s most famous and celebrated chroniclers of the New Forest and its history’

  'It was a pretty creepy story. I kept thinking along the premise of the book "It" by Stephen King with an English twist.'

  Naomi Blackburn, A Book and a Review Blog

  'This book was great! I thought I would give it a try, but when I picked it up I couldn't put it down! It was a quick read, and the story was so creepily wonderful. I loved the author's writing style - the words flowed perfectly. Reading this was less like reading a book and more like watching the movie in my mind's eye. Fantastic! I highly recommend it! I can't wait to see what else Thomas Brown has in store for readers in the future.'

  Laura Smith, Goodreads Reviewer

  Thomas Brown

  Thomas Brown is a postgraduate student at the University of of Southampton, where he is researching the relationship between Horror and the Sublime in literature.

  He has been Co-Editor of Dark River Press and has written for a number of magazines, websites and independent publishers.

  In 2010 he won the University of Southampton’s Flash Fiction Competition. In 2014 he won the annual Almond Press Short Story Competition.

  He is also a proud member of the dark fiction writing group: Pen of the Damned.

  Literary influences include Friedrich Nietzsche, S. T. Joshi and Russian novelist Andrei Makine.

  Dedication

  For Christopher Robin, who was so patient,

  and provided wine when it was required,

  and often when it wasn’t.

  Acknowledgements

  My greatest appreciation to:

  Aamer Hussein, Peter Middleton, Alison Fell, Rebecca Smith, Will May, Anna Alessi, Brian and Gillian, for helping me to realise this somewhat strange story.

  I must also thank my friends and colleagues at the Coffee Shop, the Hounds of Thirty-One and my fellow Creative Writers in Southampton, for their relentless love and support. My gratitude goes to Philip Hoare, for such encouraging and insightful praise.

  And finally to you, the reader, for taking a chance on me and my voice. Without you, the writer is a lonely man or woman. If nothing else, enjoy.

  Thomas Brown

  June 2013

  Oxfordshire

  @TJBrown89

  ‘And this also...

  has been one of the dark places of the earth.’

  Joseph Conrad, The Heart of Darkness

  CHAPTER ONE

  When Freya discovered the pig’s remains, on the third of September, they stirred unseemly urges deep inside her. She often circled the village with Eaton, keeping to the surrounding paths, and this day was no different. They passed beneath the alder trees, which grew near Mawley Bog, and around the outskirts of Lynnwood. It was a Sunday, both in name and temperament; an air of sleepiness hung over the village, its inhabitants reluctant to rise, save a nameless few, undaunted by the hour.

  As she moved beneath the trees, her thoughts turned to the village’s history. There were few in Lynnwood who did not know it well. The village dated back to the fourteenth century when settlers first flocked in real numbers to the Forest, and by all accounts it had changed very little since. Ancient oaks hemmed in the village, and beech and yew and holly. Together they kept the place their own. There was a single bus that went as far as Lymington, which left and returned once each day, and one long, vermicular road. These were the only ways in and out of the village. Many visited the Forest each year, drawn by the herds of wild ponies, the allure of the woodland and its seasonal beauty; the wild gladiolus, found nowhere else in Britain; the carpet of late summer heathers, a sliding scale of purples; even snowdrops, when winter was nigh and the days were at their shortest. It was no wonder that those who ventured into Lynnwood chose to remain. What sane man or woman would want to leave such a place; the sweet, isolating scent of flowering viola, the old Forest paths, the light?

  Freya set a brisk pace that morning, her hands buried firmly in her Parka pockets. Tall, dark green wellingtons protected her jeans from the worst of the mud and blonde hair spilled out beneath a faux coonskin cap. It fluttered fiercely in the wind.

  The dog, Eaton, caught the scent first and as they broke from the tree line he slipped under the wooden gate, bounding into the adjoining field. At first Freya was unconcerned. Even for a Lurcher, Eaton was a spirited animal. She had bought him for her thirty-fifth birthday, almost eight years ago, and he had been a part of the family ever since. She could only imagine how exciting the world seemed to him and his keen canine senses; the scent of rabbits, of edible things concealed in the grass, even other dogs, a number of which they would usually encounter each morning. Even when she caught an acrid tang on the air, she gave it little thought. McCready must have been burning things. He often ventured into the village, his hands still black, his clothes stinking with smoke.

  “What’ve you found, boy?” she said, smiling into the wind. “Yes, aren’t you a clever dog! What’s that, then?”

  The corpse of the pig stopped her in her tracks. The lingering damp of Mawley Bog was replaced by t
he smokiness of scorched flesh, which carried on the breeze. Shivering, she brought her hand to her mouth. Fat had bubbled and popped across heat-cracked bone, then cooled in slick, waxy pools between the ribs. Even the surrounding grass was dead; a crisp, ashen elf ring. Flies hovered over the corpse, accountable for the buzzing sound that filled her head as her eyes settled on the skull. It grinned back at her with a sooty, feral smile.

  * * *

  She left McCready’s field quickly, dragging Eaton from the pig by his collar. Arriving home, she first cleaned the dog with a towel. Then she headed upstairs to the bathroom. She wouldn’t usually shower after each walk, but that day it felt important. Her skin still shivered, her body unclean, the stink of burned flesh haunting her nostrils.

  The blasted pig had deeply unsettled her, but worse were the feelings it had stirred: loathing, fear and the fluttering of hunger. She told herself that she had been mistaken. She had felt a ripple of revulsion, perhaps; the knotting of her stomach at the sight of such a horrid, unexpected thing in the grass, but not hunger! The very thought of bringing her mouth to the charred flesh, of tasting it, cold and crisp on her tongue, was monstrous.

  Hot water splashed her skin. For what seemed like the longest time she stood under the spray. Eyes closed, she relished the water as it ran down her body. An antique mirror hung on the opposite wall from the shower, rectangular in shape and framed with golden ornament. Green Men studied her from the frame, their faces wreathed with vines. Her mother had been especially fond of the mirror, and many were the times Freya had stood in the doorway, when just a little girl, watching the older woman as she made herself presentable; hiding the human beneath lipstick and blusher and long, black lashes.

  There was no hiding as Freya stepped from the shower, a smudge of exposed pink in the reflection. She glanced at herself only once, then dressed with her back to the ornament. Birds sang whimsically outside the window while she clothed herself.

  Changed and refreshed – physically, if nothing else – she returned to the kitchen. She filled the kettle and prepared a drink, moving stiffly, as though dazed. Eaton followed her around the room, an auburn shadow at her feet.

  She had not eaten meat since Robert left her. Though she encouraged her children to eat it, she had not touched it herself for over ten years. She associated the food with him and their last meal together, which stuck so vividly in her mind.

  Steam whistled from the kettle’s spout like the scream of burning swine. Moving the kettle from the hob until the shrill sound trailed off, she poured her tea and drank it. They said that tea was good for dealing with shock. She poured another, which she supped more slowly, savouring the sweet warmth that rose from the surface of the liquid.

  * * *

  It was a dizzying experience to walk the frosted village in December. Cobbled pavements were slippery and hard with ice. The warmth of mulled liquor and brandy burned throats while the cold weather bit red cheeks. Carollers moved from cottage to cottage, singing righteous songs in celebration of the season. Nor were theirs the only voices to be heard, for the night was Midwinter and on that night, without fail, the dogs of Lynnwood tossed back their heads and added their own anxious howls, their chorus carrying far over the New Forest. The skies were cloudless, the constellation Orion, the Hunter, visible as he chased his quarry through the blackness and the stars.

  From the comfort of her front room, Freya watched, as she did every year, a small group of children finish carolling at Granary Cottage across the street. Their failing voices were whisked away by the wind. The ancient hymns made her happy, infusing her with festive spirit. She wasn’t a religious woman, like Ms. Andrews of the Vicarage, but it warmed her heart to see the children playing together. They skittered across the icy road, past the parked cars and streetlights to the next cottage, and she turned from the window, the dark silhouette of her reflection doing likewise in the glass.

  The house was lively, excitable. An air of anticipation filled the rooms, which she cheerfully attributed to Christmas. Baubles glittered like silvery apples on the potted pine tree in the corner. From the kitchen came the sizzling scent of roast chicken and the crisp, root aroma of potatoes. Her mouth became wet and anxious and she followed the smells and the sounds of cooking to their source.

  Where the front room was dim, lit only by lamps and the flickering lights of the tree, the kitchen shone brightly. Exposed oak beams lined the ceiling, an AGA cooker – black from use, even then – dominating the back wall. Robert stood by the dinner table. He stooped to pour two glasses of white, the wine making delicious glugging sounds as it decanted.

  “My favourite wine for my favourite woman,” he said, turning and pressing a glass carefully into her hand.

  “I’m your woman now, am I?”

  He grinned, teeth bared in mockery of an ape, and tapped his chest with his fist. “Now and always.”

  “Misogynist,” she said, smiling and sipping from her glass.

  “What can I say? I’m an animal.”

  “You’re not the only one.” She nibbled his ear as she passed him, her breath sharp and zingy with the white. She tasted it against his lobe and on the air. He shivered bodily between her teeth.

  They ate dinner quietly. Even when the dogs began to howl, the peace wasn’t ruined. There was something beautiful and primal in the chorus of their cries. She decided then that they should get a dog of their own. He said it was a wonderful idea. Something loyal, to look after their little girl, Lizzie, and recently-born George. Both slept upstairs, lulled by the lingering howls.

  It was strange, how well she could recall the details of that meal. Every flavour seemed suffused in her tongue, taste memories; of moist chicken breast, succulent and spiced; of rich gravy, thick and salty; of those hot, slender vegetables, asparagus, still crunchy, and carrots slippery and soft. She ate and drank with abandon, her head thrown back, eyes closed, mouth agape, as if the bestial howls of the dogs erupted from her own throat –

  * * *

  She didn’t see Robert again after that night. Though she could never forgive him for walking out on her, she had loved him once, enough to share a house, a life, to father her children, and the thought of abandoning that drew a roaring panic inside her. Feelings had been unfettered in that field, frightening and seductive, threatening her last memory of her husband with promises of crisp crackling, succulent flesh and dripping grease.

  Alone in the kitchen, with only the dog as witness, she stepped slowly towards the black, cast-iron pan, hanging above the hob, and the bottle of cooking oil beside it.

  When her children finally dragged themselves downstairs, almost an hour later, they were greeted by the sizzle of hot fat, the splutter of eggs and the rich, salty scent of fried bacon. They smiled sleepily at their mother and seated themselves at the dining table, oblivious to the half-eaten rasher at the bottom of the bin or the guilt behind their mother’s eyes.

  * * *

  Though she did not know it then, Freya was not alone in her private distress. Nor was she the first in Lynnwood to suffer. Ms. Andrews, of the Vicarage, dreamt she saw a woman in the Forest with the face of a fly and great, glassy wings. Mr. Shepherd, at his bench one afternoon, crafted seven intricate brooches, each in the shape of a gaping maw, before he realised what he was doing or how long it had taken him. And McCready was woken one night by screaming. Following the sound to his sties he glimpsed a skeletal figure crouched over the body of one of his pigs. Neck craned to the night sky, it shrieked a ditty from McCready’s own childhood:

  Scads and ’tates, scads and ’tates.

  Scads and ’tates, and conger.

  And those who can’t eat scads and ’tates,

  Oh! they must die of hunger.

  These things were not dwelt on. Dreams were disregarded, as dreams so often were, though Ms. Andrews took to wearing her rosary beads beneath the collar of her nightdress while she slept. Mr. Shepherd melted down the ugly, unsettling brooches, except for one, which he secrete
d into the bottom drawer beside his bed. And once McCready had finished the whisky that he saved for occasions such as this, he dragged the pig’s carcass into an empty field, doused it with lighter fluid and burned it. Afterwards, when he woke quite suddenly, sweating and cold in his bed, he couldn’t be sure that he had left his pillow at all.

  Outside, as a new day broke across the blue autumn sky, the pig’s blackened bones cooled in the grass, unobserved by all except one woman and her dog.

  CHAPTER TWO

  Having felt the playful nip of that hunger, which risked revealing something wild inside her, Freya clung to old habits, finding herself among the village congregation next Sunday. She held no special love for Allerwood Church, but like many of the village’s residents she felt a hollowness inside; a quiet corner of her being, forever empty. Some felt this most at night, when their kitchen lights failed them, or when they passed through the Forest in the evening. It was a human thing, she knew, to fear this darkness. Theirs was an epicurean herd, grown fat and contented on life. They had no mind to be stripped of their lives at the trough, by death or any other means.

  For others it was dogs that frightened them; the wet stink of their fur, or their animal howls, which carried so easily over Lynnwood. Like the darkness, they reminded of human things; race memories, rank and coppery, best left forgotten. The same swine of society heard the dogs’ howls and they buried their faces deeper into their feed, and their lives went on in pleasant Lynnwood.

  “The service seems busy this morning,” Freya said, when she greeted their vicar, Ms. Andrews, on the church steps that morning.